Sunday, November 13, 2016

Ferran Adria and El Bulli

The Invention of Food at the Dali Museum, an exhibit worth seeing before it departs November 27th.

Ever since I read about this place years ago, said to be the best restaurant in the world, I have been curious about El Bulli ("Bulldog" named for the bulldogs the original owner loved). It closed in 2011 after a quarter century of serving the weirdest and most sought after cuisine.

If you have no idea what I am talking about the pictures that are to follow will be helped by these perforce elderly essays about the now closed restaurant:

This Little Piglet My favorite essay about eating there, unabashed hero worship. A lovely read.

Chocolate and Zucchini Review of El Bulli 2006  This essay includes a  very complete list of the  three dozen items on the menu and if you click on each item you will get a photograph! Astonishing.

Or this essay from 2008 View From The Wing: Dinner at El Bulli which includes pictures (several broken links too unfortunately) of the restaurant and the staff.

Then there is this gallery of food from El Bulli. Like the restaurant itself which directed diners on how to eat the food,  I am offering you a bunch of links to understand that which intrigued me and propelled me to this exhibit in St Petersburg.


In the photo above the orange thing is food disguised as flame. In the 1990s after an already successful career as a chef Adria and his brother set off on their own path creating food as art. Ferran is the creator of so called molecular gastronomy where flavors are reduced to their essence, and foods come at the diner in shapes and consistencies not previously imagined.(Ferran Adria has the gray hair on the right with arms crossed contemplating an experiment):
Soups could be solids, solids could be gases and liquids could be encapsulated in skins. El Bulli offered a tasting menu for about $250 (plus wine etc) consisting in 36 dishes served at a pace of one every five minutes over a period of three hours. Adria was assisted by 40 cooks and as many wait staff at his isolated farmhouse restaurant by the sea on a rocky headland in Catalonia not far from France.
If you think this is all too weird you'd be right but if you read the essays above you'll know  this odd style of eating was revered by the lucky few who got tables there. El Bulli served 8,000 guests a summer and received about two million requests every year. On principle they declined walk-in traffic to avoid encouraging such rash behavior.
Ferran Adria
Ferran Adria ©elBulliArchive/Pepo Segura


I cannot explain my fascination with El Bulli from such a distance and had I been truly thoughtful I should have written an email one October when he was taking his annual reservations and hoped for the best and planned a trip to Spain based on a positive response in the grand lottery to eat at El Bulli. But such quixotic gestures are not in my repertoire as I like to plan my spontaneous extravagances. However when my wife learned of the exhibit at her favorite Florida museum, the Dali in St Petersburg, she figured out a way to make her Veterans' Day holiday work for us.
The remarkable thing about Adria is how carefully he recorded each of his 1846 unique receipes, none of them ever served more than once. He took notes and photographs and recorded them in "year books" also on display in the photo above.
The exhibit had video endorsements from artists and chefs praising Adria's extraordinary approach to food as art. 
And a presentation on one wall showed a loop video of pictures of each dish served at El Bulli:
How I wished I had gone! Or at least tried to go...I saw pictures of some of his creations at least:
 Inspired by nature...
And the peculiar plates and serving devices -no knives ever, just fingers forks and spoons and not very much meat served either, most dishes were fish and vegetable based. 
Because Dali was Catalan also the museum included a few of his pictures relating to food, peasant-like fish and bread artworks. Though I can say that I got so immersed in the show I got muddled over the provenance of this cutlery set, actually by Dali but I thought it was El Bulli...such were the connections between the two.
It is said Adria took inspiration from Dali's surreal artwork too in the creation of some dishes. We left feeling pretty hungry so we  stopped and got a taste of the black acorn-fed wild pig ham offered at the entrance to the exhibit. No wonder Adria loved this stuff, aged  for three years unlike any other. It was not terribly salty which  air cured ham often is, and was full of the flavors of the forest, quite unique. 
It was a great exhibit and a fine tribute to an artist who is now operating a  foundation they say in Barcelona where Ferran Adria is teaching his skills to a new generation. And not necessarily doing Spanish cuisine any favors his critics claim. As for the belief that this was the "best" restaurant in the world I don't know what to say. Not least because I never ate there but had I eaten there no doubt I'd have loved it as everyone did. A part of me shudders at the extravagance of making food art but part of me too recognizes the need for human thought to be pushed beyond mere expectations fulfilled. I think the world is a poorer place without El Bulli. Interestingly Adria himself knew he could have multiplied his prices by any amount but he wanted to give ordinary people access to his art so he operated a hotel in Barcelona to pay for El Bulli which barely broke even.

On the other hand if you want to eat, as we did last Friday, some dim sum, a cuisine not available in Key West, El Bulli would have been a rotten choice. Plus we got out for around thirty two bucks for both of us. 

And then we rushed over to pick Rusty up from the boarding kennel where he had spent the past five hours. It seemed the best solution for him while I stared at Art, and I took him for a long long walk and fed him treats to compensate. He acted like it worked for him.

On the passing of El Bulli I recall this article from Vanity Fair LINK.

Saturday, November 12, 2016

Photo Essay

A few pictures without words for a Saturday morning. I bought a camera yesterday to supplement my iPhone.  I wonder what a telephoto lense will do for me when the FZ300 arrives next week...I miss that more than anything else with my telephone camera. A new era of better pictures dawns...though I'd better not overstate the case. 










Friday, November 11, 2016

Armistice Day

From Wikipedia:

Armistice Day is commemorated every year on November 11 to mark the armistice signed between the Allies of World War I and Germany at CompiègneFrance
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The Armistice was for the cessation of hostilities on the Western Front of World War I, which took effect at eleven o'clock in the morning—the "eleventh hour of the eleventh day of the eleventh month" of 1918. The date was declared a national holiday in many allied nations, and coincides with Remembrance Day and Veterans Day, public holidays.
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History
The first Armistice Day was held at Buckingham Palace, commencing with King George V hosting a "Banquet in Honour of the President of the French Republic" during the evening hours of 10 November 1919. The first official Armistice Day events were subsequently held in the grounds of Buckingham Palace on the morning of 11 November 1919. This would set the trend for a day of Remembrance for decades to come.
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In 1919, South African Sir Percy Fitzpatrick proposed a two-minute silence to Lord Milner. This had been a daily practice in Cape Town from April 1918 onward, since being proposed by Sir Harry Hands, and within weeks it had spread through the British Commonwealth after a Reuters correspondent cabled a description of this daily ritual to London. People observe a one or more commonly a two-minute moment of silence at 11:00 a.m. local time. It is a sign of respect for, in the first minute, the roughly 20 million people who died in the war, and in the second minute dedicated to the living left behind, generally understood to be wives, children and families left behind but deeply affected by the conflict.
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Similar ceremonies developed in other countries during the inter-war period. In South Africa, for example, the Memorable Order of Tin Hats had by the late 1920s developed a ceremony whereby the toast of "Fallen Comrades" was observed not only in silence but darkness, all except for the "Light of Remembrance", with the ceremony ending with the Order’s anthem "Old Soldiers Never Die". In Australia, the South Australian State Branch of the Returned Sailors & Soldiers' Imperial League of Australia developed during the interwar period a simple ceremony of silence for departed comrades at 9 p.m., presumably to coincide with the traditional 11:00 a.m. time for Armistice ceremonies taking place in Europe due to the ten-hour time difference between Eastern Australia and Europe. Veterans in New Zealand have used silence to pay homage to departed comrades in general at veteran functions, as the toast of "Fallen" or "Absent Comrades".
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Levin, New Zealand
In Britain, beginning in 1939, the two-minute silence was moved to the Sunday nearest to 11 November in order not to interfere with wartime production should 11 November fall on a weekday.
After the end of World War II, most member states of the Commonwealth of Nations, like United Kingdom and (as Canada in 1931), moved most Armistice Day events to the nearest Sunday and officially began to commemorate both World Wars. They adopted the name Remembrance Day or Remembrance Sunday, using poppies found across the fields of conflict of  World War One.
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Other countries also changed the name of the holiday just prior to or after World War II, to honor veterans of that and subsequent conflicts.The United States chose All Veterans Day, later shortened to 'Veterans Day', to explicitly honor military veterans, including those participating in other conflicts

Thursday, November 10, 2016

Night Key West

Photos taken in the area of Catherine and Eliza Streets, a short walk from the police station, around 1:30 am.












Wednesday, November 9, 2016

Key West Scenes

I have noted the massive gentrification underway in Key West, a new generation of wealth has displaced the bohemian artists and counter culture refugees hiding out in Key West.This gentrification is also expressed by a very modern drive at visible self improvement as this is a city that seems to encourage more public exercise routines than I have seen previously.
It is no longer enough to attempt to live one's most bizarre dreams in daily life, nowadays self improvement and healthy living is the thing. I saw one scooter rider across Truman Avenue with an eye on staying alive by not riding and phoning at the same time. 

 Someine has to keep the picket fences looking fresh for the influx of visitors.
Can you imagine swimming  next to Virginia  street? It just struck me as weird. Rent a place with a pool that has you sunbathing by the pool in the public eye. There really isn't much land in Key West.
These two were shouting a running commentary as they pedaled down Virginia Street. I assume it was the usual stuff - except it was in German so who knows what really caught their eye. 
The end of Flagler Avenue at South Roosevelt is one of those spots where candidates for office post their signs. And then there's Todd Snider who is not an actual candidate but a musician with a date in town a couple of days ago.
Folk Legend Todd Snider Takes the Stage in Key West Nov 1 & 2
On Tuesday, November 1, we’re beyond excited to team up with COAST (www.coastprojects.com) to bring you the first of two amazing shows with singer, songwriter, storyteller and all-around cool dude, Todd Snider.
Snider, a self proclaimed “tree hugging, peace loving, lazy-ass hippie” has called many places home — Portland (OR), Austin (TX) and most recently East Nashville, Tennessee where he’s become a true folk songwriting legend in a town filled to the brim with musicians just trying to make it.
But oddly enough, Todd’s big break came in the mid-1990s by way of Key West (kind of) when our island’s own most famous troubadour — a guy by the name of Buffett — discovered him, took him on the road, and signed him to his label — (http://www.rollingstone.com/music/news/backstage-with-jimmy-buffett-preview-todd-sniders-new-memoir-20140502).
The rest, they say is history.