Wednesday, May 8, 2013
Mickens To Duval
Tuesday, May 7, 2013
Dale Owen, Bob Brozman, RIP
It is I have long been told, a sign of aging that one turns first to the obituaries when opening the newspaper, to see who's dead and to reassure oneself about one's own status among the living. In the digital age one ends up opening Google and never quite knowing who will come across the page, by accident or by remotest coincidence. The other day I found a 94 year old Italian politician, Giulio Andreotti had fallen off his perch. That was cause for reflection for a moment considering he dominated the news cycles when I was a youngster in Italy.
And then there was Dale, a colleague who used to sell underwriting on KUSP, what was the public radio station in Santa Cruz in the 70s and 80s. Terry Green Blogs About KUSP » Blog Archive » Dale Owen passes away He was gifted with the rich deep basso profundo tones that were perfect for his classical music shows, the sort preferred by program directors. He had the thankless task at KUSP, that of selling the counter culture organization whose rambunctious members were always ready to spot and denounce a sell out as soon as they sniffed one. Dale worked the community like crazy and never lost his cheerful smile when sales came under fire for violating those protocols. He lived his life on crutches working paradoxically in a building that was as inaccessible as any second floor office could be and he never complained or turned away from the daily struggle to climb the shiny wooden stairs as steep and shiny as a granite mountain face. I was twenty-something and ran up and down easily, mindless if I forgot a microphone in the studio or needed to "run back up" for some other thing.
Sitting here, 3200 miles away, pondering the quiet, sudden illness and death of the unassuming Dale, I came across a connected death from a few weeks ago. KUSP, in it's role as a community voice was naturally a voice for resident and visiting musicians and Bob Brozman was a close friend of the founders of the station. It turns out he died in April, apparently by his own hand in an untold story, and was I surprised to see worldwide obituaries including the august New York Times, Bob Brozman, Guitarist, Is Dead at 59 - NYTimes.com and a Wikipedia page devoted to his tireless pursuit of what we used to call World Music.
I cannot say my life will be directly impacted by these disparate deaths, but they do provoke thought I guess is the best way to put it. I look back and feel an incredible sense of waste. I was a young man impetuous and let loose in the cultural playground that was California in the 80s and I had everything to learn and to do. I was so busy I missed so much of what the people around me every day had to offer. I read their obituaries and as brief as they are they reveal a large slice of details I never had the wit to enquire after at the time.
In many respects I feel fortunate with the way my life has unspooled, especially considering some of the turns it could have taken but those small insistent niggling regrets pop up in my life at the least expected moments.
Parrotdise Unraveled
Monday, May 6, 2013
Lobster Pots
Lobster season starts in August but apparently its never too soon to start to get ready.
I am very ambiguous about lobster ever since I found out that they will live 120 years if not interfered with. It seems rather cruel to induce them to plop into cages and then take them out and boil them for food in a world overflowing already with calories.
There again I am not particularly fond of lobster meat, I have compared it previously to fish flavored string cheese, but lobster is a delicacy and much desired so it seems churlish to spurn the stuff.
Yet the business of catching lobster is endlessly fascinating, watching Cuban fishermen build these cages, label them and paint their floats their own particular colors. Stealing from another's trap is a heinous crime, similar in all respects to rustling or horse thievery. Jail time is inevitable if caught.
Everything is labeled and licensed and marked.
The lobster mini season, a hellish two days will be in late July when amateurs descend on the Keys and kill themselves in the unbridled hunt for lobster. More of that later as we get closer. Mini season produces no lyrical pictures of an ancient trade like these taken on Summerland Key.
Sunday, May 5, 2013
The Made In Key West Band
In order to avoid such a feeling of aggravation one buys season's worth of tickets in advance. We in fact check the schedule and decide which plays we like the look of, and there being enough to justify it we do a season's worth. Then we cozy up to the bar, have a drink and sit on the porch to wait for the opening of the doors.
In years past the Red Barn had put on a lot of musicals and frothy silliness which are not my cup of tea, but the crop of dramas and thought provoking productions has increased each year and this year I am aggravated I managed to miss the opening production which was The 39 Steps, a story I have enjoyed in print and on screen but never live in a theater. Oh well.
Our latest outing came last month when we saw the final night of Conchs, Cowboys and Tales of Old Key West, put on by the five members of the Made in Key West Band. Between them they claim 153 years of residence in the Southernmost City and because of that no doubt some cross dressing, even of the mildest sort was soon on display.
The band did a nice job, and they were having a rollicking good time on stage, a bunch of friends who for the most part go way back and are extremely comfortable together doing what is not at all their day jobs, except perhaps Paul Cotton who's musical career goes a long way back, enough that he is on a Wikipedia page devoted to the band Poco...luckily for me as I had no idea who he was.
Above we have George Halloran a local figure in the field of law. he has taken on a few sacred cows in the name of the people and he also knows how to sing. I thought he rather resembled Clint Eastwood in his shades. Below we have teacher Tom Murtha:
Paul Cotton sang with a richness and presence that betrayed his professional career. It was also noted he was the only member of the band who did not know Mel Fisher personally. Murtha was proud to wave around a silver real hanging from his neck given to him directly by the august treasure hunter.
Gary MacDonald played the drums with fervor in the back of the stage. He and Mimi MacDonald have been leading lights in the theater operations in Key West for decades.
John Wells took on the role of de facto band leader, grinning with delight at his own jokes, his plastic features expressing delight and surprise, desire and astonishment vividly enough to pull the audience into his performance. Some few visitors not completely familiar with Key West lore fell in love with him and his performance cheering him on, rowdy and happy, entertaining the staid theater audience with their seat dancing in the front row. They went home with happy memories of Key West those three women of a certain age in the front row.
Then Island Alex cam on stage and danced sang and blew his brass, the consummate performer having a ball on stage.
Finally the sole woman in the performance Camille Russo Toler stepped up the microphone to sign variations on Oh Susanna. And in effect it was less a night about old Key West and more a night of cowboy and folk songs, familiar repertoire with just a few references to Bum Farto ( the tourists loved that one) That Fucking Conch Train in the spirit of cowboys singing of the Iron Horse, Mel Fisher and of course abundant if unsurprising references to coconuts, palms, warm weather and driving to the end of the road. Familiar stuff but not really engaging if you already live here.
It was a fun night out but with the winter snowbird season over I would have enjoyed a little more topical references, inside jokes perhaps and just a little mockery of the foibles of daily life on the island.




































